Praised for his “superb artistry and beautiful sound”, cellist Max Geissler is currently pursuing his Doctor of Musical Arts degree at Rice University under the tutelage of Desmond Hoebig. Before his studies at Rice, he earned his undergraduate degree from the University of Michigan working with Richard Aaron. Previous mentors have also included Catherine Lehr-Ramos of the Saint Louis Symphony and Michel Strauss during a semester of study abroad in Paris. As featured soloist, he has performed with several orchestras in the St. Louis area, including the Saint Louis Symphony. Max is devoted to the chamber music literature and takes any opportunity he can to better acquaint himself with the repertory, working closely with chamber musicians such as James Dunham, Norman Fischer, Joel Krosnick, Ronald Copes, and Laurie Smukler. As former principal cellist and project manager of the conductorless string orchestra KINETIC, Max assisted in building the nonprofit from the beginning and strongly advocated for the ensemble's communicative chamber music making in the Houston area. Max is also a sought-after new music collaborator, having premiered many pieces for solo cello, string quartet, as well as chamber orchestra as a part of KINETIC. He has performed regularly as a part of the new music organization MUSIQA in Houston, as well as alongside Brian Connelly on his chamber music series, Music in Context. Together with Leah Gastler, he co-founded the Kalmia Garden Chamber Music Festival in Durham, Connecticut. Now in its fourth year, the program helps share their love for chamber music with the community in a bucolic environment through a series of intimate farmhouse concerts.